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| AVOIDING THE TOE TAGS 771-A, silver brooch, 6.25 x 9.4 x 2.5 centimeters. Photographs by Tony Cunha. | |||
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Carolyn L. E. Benesh |
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Within a healthy walking distance of the university campus is the quiet tree-lined neighborhood that forms the other part of the |
arc of Smith's daily regime. Her home is sheltered from the overly bright California sun by the perhaps perennially verdant trees, casting their shifting shadows over families, arriving and leaving, as they are born, mature, become frail with age, and die. It is a house made personal by its artworks, a piano, fly fishing equipment (one of Smith's passions), and yes, the family dog. But it is beyond the backyard garden, where a separate building is located, that another kind of life takes place. It is here that artist Smith makes her jewelry and other metalsmithing projects, imagining her peculiarly private landscape-in concert with the other millions simultaneously living their own proprietorial version of the West Coast lifestyle- that of a unique, surprisingly seductive, yet fragile and tenuous, whole made from seemingly dissimilar elements. To survive, one must be ever respectful of the Pacific's strong undercurrent, the riptide personified, of the California dream state, which can finally carry you away, to be drowned in the overwhelming waves of life's vicissitudes. |
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